Avant-Garde Theater

Arrabal: el ajedrez y los escenarios del humor

Humor / Avant-Garde Theater / Fernando Arrabal / Ajedrez

Arte, política y redes transnacionales: el teatro La Mama en Nueva York y Bogotá, 1961-1972, Historia Crítica, no. 55, Enero-marzo, 2015.

History / Cultural History / Sociology of Culture / Art History / Contemporary Art / New York history / Culture / Avant-Garde Theater / Transnational History / Culture Studies / The Sixties / 20th century Avant-Garde / Historia De Bogota / Art and Art History / History of the Theater / New York history / Culture / Avant-Garde Theater / Transnational History / Culture Studies / The Sixties / 20th century Avant-Garde / Historia De Bogota / Art and Art History / History of the Theater

El enigma sobre las tablas. Análisis de la dramaturgia completa de Juan Benet

Spanish Literature / Theatre Studies / Avant-Garde Theater / Theatre Semiotics / Contemporary Spanish Theatre / Drama and theatre studies / Juan Benet / Drama and theatre studies / Juan Benet

El teatrito de Teresa Hernández

Avant-Garde Theater / Contemporary Theater / Theater and Performance Studies / Contemporary Spanish theater by women / Theater Arts

\"Veinte años de Agua, Sol y Sereno\"

Community Based Education / Avant-Garde Theater / Cultural management / Public community Based Theater / Experimental Theater

Una sombrilla es una sombrilla es una sombrilla: \'Procesión\' de Rosa Luisa Márquez

Avant-Garde Theater / Latin American Theater / Latin American music, performance practices, transnationalism, and transmission and hibridity with focus on Argentinean folklore and tango. / Experimental Theater

La presencia de elementos de la Vanguardia rusa en Prohibida la reproducción de José Ricardo Morales

Theatre Studies / Vsevold Meyerhold / Avant-Garde Theater / Avant-Garde / Theatre / Sergei Eisenstein / Teatro / Yevgeny Zamyatin / Spanish Avant-Garde / José Ricardo Morales / Russian Avant-Garde / Vanguardia / Sergei Eisenstein / Teatro / Yevgeny Zamyatin / Spanish Avant-Garde / José Ricardo Morales / Russian Avant-Garde / Vanguardia

A Paradise Lost

Theatre Studies / Performance Studies / Anarchism / Avant-Garde Theater / Social Activism / Performance / Pacifism / Avant-Garde / Experimental Theatre / Theatre / 20th century Avant-Garde / Living Theatre / Art in the 60s / Cultural and Political Activism of the 1960s and 1970s / 60s Movements / American Avant Garde / Paradise Now / Julian Beck / Judith Malina / America in the 60s / Performance / Pacifism / Avant-Garde / Experimental Theatre / Theatre / 20th century Avant-Garde / Living Theatre / Art in the 60s / Cultural and Political Activism of the 1960s and 1970s / 60s Movements / American Avant Garde / Paradise Now / Julian Beck / Judith Malina / America in the 60s

A la recherche de la ‘troisième image’ (Rennes, 2011)

Performing Arts / Theatre Studies / Theatre History / Performance Studies / Postdramatic theatre / Theater and film / Avant-Garde Theater / Performance / Body Image / Theatre Theory / Theatre / Theatre Arts / Romeo Castellucci / Theater and Performance Studies / History of the Theater / Theater and film / Avant-Garde Theater / Performance / Body Image / Theatre Theory / Theatre / Theatre Arts / Romeo Castellucci / Theater and Performance Studies / History of the Theater
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